Well he frightened me a bit with his Estelle remix which felt lazy and slightly ordinary, but the perennially masked artistically-gifted archaeologist’s son, Danger, has well and truly returned to form with these two. They are both every bit the perfect example of the quintessential French electronic sound at its very best, and at the same time so recognisably Danger with that relentlessly mysterious pulsing energy. Hopefully these remixes are just the beginning of the new (hopefully original) tracks we’ll see coming from Danger in the near future, and while I don’t think anything could top 11h30, I’m dying to be proven wrong.
Boys Noize – Ne.Oh!.Pen (Danger Remix) and YSI
We Are Scientists – Chick Lit (Danger TV Remix Edit)
Thanks, Docking Station .
- bec
6 Comments
Loving the Boys Noize remix
I take it you don’t rate Danger’s remix of Sebastien Tellier’s Divine
Love these – thank you.
It was weird having Sebastien Tellier on the Eurovision tonight. I love the Danger remix, but having it between some act dressed as pirates and another singing something called ‘chica’ with one hell of a whig was kind of surreal.
Eh, it was an alright remix, I just have really high expectations for the guy and it didn’t excite me much.
Very cool blog!
I have some mashes you might like at http://ex-pressing.blogspot.com/
Made one of boys noize VS Justice, thats how i found your blog
Also don’t forget to check the // Nirvana “Aneurysm” ( Incesticide) REMIX // hope you like it!
~
3rd*
i don’t understand why Danger doesn’t just reflect some of those heavy synth beats with a harder bass line?
to me, these mixes seem somewhat inverted – the heavy melody is counteracted by a lighter bass beat.
It kinda makes me want to mix it up with someone like Malente’s Killer Applikation beat or something Justice-y.
that is all.
Gah. I’m absolutely in love with Danger. Thanks for providing these. I’ve been trying to expand my collection.
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[...] appears as if Danger heard my plee for something new and original, because here it is. In all its gorgeously subdued glory. Where the slick, assertive 11h30 was [...]